Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 66
Síða 55
... practice , both in the films themselves and with regard to the cinema's function within the public sphere . The difficulty in writing about Kluge lies precisely in this entan- glement of theory and practice , the degree to which his ...
... practice , both in the films themselves and with regard to the cinema's function within the public sphere . The difficulty in writing about Kluge lies precisely in this entan- glement of theory and practice , the degree to which his ...
Síða 62
... practice of montage reach into the fields of literature ( the example of Joyce ) , rhetoric , and epistemology . In a late essay strongly influenced by Kluge , Adorno points out that the images of the interior monologue ( i.e. , the ...
... practice of montage reach into the fields of literature ( the example of Joyce ) , rhetoric , and epistemology . In a late essay strongly influenced by Kluge , Adorno points out that the images of the interior monologue ( i.e. , the ...
Síða 96
... practice have been identified with a " politics of otherness " in which opposition is al- ready defined and contained by the practice against which it sets itself - an impasse in critical thinking which Fredric Jameson , in a slightly ...
... practice have been identified with a " politics of otherness " in which opposition is al- ready defined and contained by the practice against which it sets itself - an impasse in critical thinking which Fredric Jameson , in a slightly ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing