Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 86
Síða 56
... political events but the very possibility of an alternative political disourse which would allow for contradictions , revisions , and the freedom - and “ labor ” -of mourning . What technically looks like a collage of documentary and ...
... political events but the very possibility of an alternative political disourse which would allow for contradictions , revisions , and the freedom - and “ labor ” -of mourning . What technically looks like a collage of documentary and ...
Síða 95
... politics . It would take more than one article to list the many divergent uses of the term " political cinema " since Godard first urged his profession not to make political films but to make films politically.1 În Britain and the ...
... politics . It would take more than one article to list the many divergent uses of the term " political cinema " since Godard first urged his profession not to make political films but to make films politically.1 În Britain and the ...
Síða 98
... political ( because of the financing structure that directors and producers depend on ) and more self- consciously so ( because of the cultural and national politics they find themselves implicated in ) than is indicated by the so ...
... political ( because of the financing structure that directors and producers depend on ) and more self- consciously so ( because of the cultural and national politics they find themselves implicated in ) than is indicated by the so ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing