Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 51
Síða 6
... opposition between experimental and popular works , but situates theory on the side of the former rather than the latter . Theory , like the avant - garde , be- comes an agency of resistance to narrative , to what Barthes calls " the ...
... opposition between experimental and popular works , but situates theory on the side of the former rather than the latter . Theory , like the avant - garde , be- comes an agency of resistance to narrative , to what Barthes calls " the ...
Síða 17
... opposition to " femininity , " a feminist interrogation of women's oppression might pre - figure the moment articulated by Luce Irigary when she said : " What I desire and what I am waiting for , is to see what men will do and say when ...
... opposition to " femininity , " a feminist interrogation of women's oppression might pre - figure the moment articulated by Luce Irigary when she said : " What I desire and what I am waiting for , is to see what men will do and say when ...
Síða 81
... opposition ) , and it works to induce messages which ( 1 ) turn away from any engagement with socially incorrect but useful oppositions in favor of entering into imaginary oppositions against domination ; ( 2 ) produce overt or ...
... opposition ) , and it works to induce messages which ( 1 ) turn away from any engagement with socially incorrect but useful oppositions in favor of entering into imaginary oppositions against domination ; ( 2 ) produce overt or ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing