Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 60
Síða 44
... notion of the " self - service counter " and is aimed more or less explicitly at producing a theory directing cinematic practice . These concepts themselves are scarcely homogeneous . Some are quite directly the result of reflections on ...
... notion of the " self - service counter " and is aimed more or less explicitly at producing a theory directing cinematic practice . These concepts themselves are scarcely homogeneous . Some are quite directly the result of reflections on ...
Síða 59
account for everything , the " circus " origins of the notion of attraction already imply the essential characteristics of that notion as it will be developed subsequently , more specifically , in thinking of the cinema . Thus , I ...
account for everything , the " circus " origins of the notion of attraction already imply the essential characteristics of that notion as it will be developed subsequently , more specifically , in thinking of the cinema . Thus , I ...
Síða 44
... notion of ' mon- tage ' , and even to discuss film editing in relevant terms ) .10 The idea that an image has a specific power to show something may sound a little too commonplace , and I feel compelled to add that there certainly is no ...
... notion of ' mon- tage ' , and even to discuss film editing in relevant terms ) .10 The idea that an image has a specific power to show something may sound a little too commonplace , and I feel compelled to add that there certainly is no ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing