Discourse, Útgáfur 5-8 |
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Síða 32
... narrator in the film ? And , what is the effect of the narration upon the viewer ? While Roswitha is not a properly constituted character in the realist sense of character unity and psychological motivation , she is nevertheless a ...
... narrator in the film ? And , what is the effect of the narration upon the viewer ? While Roswitha is not a properly constituted character in the realist sense of character unity and psychological motivation , she is nevertheless a ...
Síða 33
... narrator's omnisci- ence undercuts the protagonist's power . The effect is even more decisive later in the film , when Kluge frames Roswitha's investigative efforts with a damning title , " Under pressure from the work - force and the ...
... narrator's omnisci- ence undercuts the protagonist's power . The effect is even more decisive later in the film , when Kluge frames Roswitha's investigative efforts with a damning title , " Under pressure from the work - force and the ...
Síða 43
... narrator / author quotes to substantiate an identity . Judith Mayne , in her extensive analysis of Redupers , has concentrated on this issue of articulating an evasive self - definition . 18 Mayne situates Sander's film within a ...
... narrator / author quotes to substantiate an identity . Judith Mayne , in her extensive analysis of Redupers , has concentrated on this issue of articulating an evasive self - definition . 18 Mayne situates Sander's film within a ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing