Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 82
Síða 79
... movement takes place . It is a movement between , on one hand , the taking out of an ideological guarantee which leads to glorifying Ivan as a " unifier of the Russian land , " in the same way that Nevsky was glorified , in response to ...
... movement takes place . It is a movement between , on one hand , the taking out of an ideological guarantee which leads to glorifying Ivan as a " unifier of the Russian land , " in the same way that Nevsky was glorified , in response to ...
Síða 99
... movement . Plekhanov has already said that in the last analysis all phenomena could be reduced to movement . It is movement which will reveal to us all the deepest levels of internal synchronization , which can be determined ...
... movement . Plekhanov has already said that in the last analysis all phenomena could be reduced to movement . It is movement which will reveal to us all the deepest levels of internal synchronization , which can be determined ...
Síða 127
... movement of the accent . In the movement from the icon shown in close - up ( in the abstract , so to speak ) in shot 2 , to the same subject in shot 3 , shown this time in a real decor by the gently swaying light of the lamps , the ...
... movement of the accent . In the movement from the icon shown in close - up ( in the abstract , so to speak ) in shot 2 , to the same subject in shot 3 , shown this time in a real decor by the gently swaying light of the lamps , the ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
1 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing