Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 59
Síða 16
... male participants , while the dramatized images focus instead on the female audience . These contrasts are ... male members of the SDS are situated above their female counterparts . Finally , the deployment of documentary footage to ...
... male participants , while the dramatized images focus instead on the female audience . These contrasts are ... male members of the SDS are situated above their female counterparts . Finally , the deployment of documentary footage to ...
Síða 23
... male . Indeed , as the film progresses it becomes increas- ingly difficult to distinguish between the two discourses on any " domestic " issue . Marxism's and capitalism's discursive fellowships seem almost to converge in a profoundly ...
... male . Indeed , as the film progresses it becomes increas- ingly difficult to distinguish between the two discourses on any " domestic " issue . Marxism's and capitalism's discursive fellowships seem almost to converge in a profoundly ...
Síða 30
... male gender identity . Female infantile identifications are less predictable than male ones ... the female counterpart of the male identity crisis may occur more diffusely , at a different stage , or not at all . ” It seems quite ...
... male gender identity . Female infantile identifications are less predictable than male ones ... the female counterpart of the male identity crisis may occur more diffusely , at a different stage , or not at all . ” It seems quite ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
1 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing