Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 57
Síða 50
... language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the process of construction , of filming , and ...
... language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the process of construction , of filming , and ...
Síða 93
... language system and cinematic language . The distinction raises special problems for an English translation , partly because , as Stephen Heath has pointed out in a discussion of these difficulties , there is " no real overlap in ...
... language system and cinematic language . The distinction raises special problems for an English translation , partly because , as Stephen Heath has pointed out in a discussion of these difficulties , there is " no real overlap in ...
Síða 110
... language is a blunt but heavy instrument . With Achternbusch , one always comes back to language . Language as voice , dialect , inflection , cadence , grain - in its materiality it never seems to pass from one person to another without ...
... language is a blunt but heavy instrument . With Achternbusch , one always comes back to language . Language as voice , dialect , inflection , cadence , grain - in its materiality it never seems to pass from one person to another without ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing