Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 49
Síða 73
... identity can be said to be formed by the historical and the social , instead of talking about the needs that processes of identity , iden- tify . Without the existence of processes to permit memory a place , for example , there could be ...
... identity can be said to be formed by the historical and the social , instead of talking about the needs that processes of identity , iden- tify . Without the existence of processes to permit memory a place , for example , there could be ...
Síða 30
... identity ... that varies from the male model , " and to demonstrate that " primary identity for women is more flexible and relational than for men . Female gender identity is more stable than male gender identity . Female infantile ...
... identity ... that varies from the male model , " and to demonstrate that " primary identity for women is more flexible and relational than for men . Female gender identity is more stable than male gender identity . Female infantile ...
Síða 88
... identity . In Buenos Aires , however , a thoroughly colonial culture plays tricks with the mirror of identity . The railroad stations are British ; the opera house is French ; the squares are Spanish with their churches and town halls ...
... identity . In Buenos Aires , however , a thoroughly colonial culture plays tricks with the mirror of identity . The railroad stations are British ; the opera house is French ; the squares are Spanish with their churches and town halls ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing