Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 58
Síða 66
... identification which structures the look in a comprehensible , anthropomorphic way . In Kluge's practice , however , secondary identification remains highly rudimentary , in the measure that the char- acters upon whom it rests are ...
... identification which structures the look in a comprehensible , anthropomorphic way . In Kluge's practice , however , secondary identification remains highly rudimentary , in the measure that the char- acters upon whom it rests are ...
Síða 105
... identification - Achternbusch explores not only the identification structure of the cinematic representation , but in an almost painfully explicit way , the crisis of sexual identity that so much . preoccupies him in relation to his ...
... identification - Achternbusch explores not only the identification structure of the cinematic representation , but in an almost painfully explicit way , the crisis of sexual identity that so much . preoccupies him in relation to his ...
Síða 60
... identification is of a quite different nature , and the word ' identification ' seems at least disputable ; the notion of an identification ' with the camera ' is at best a metaphor , and Metz's alternative formulation , of an ...
... identification is of a quite different nature , and the word ' identification ' seems at least disputable ; the notion of an identification ' with the camera ' is at best a metaphor , and Metz's alternative formulation , of an ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing