Discourse, Útgáfur 5-8 |
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Síða 54
... films which has as yet to reach a certain level of theoretical self - consciousness . The challenge recent German cinema presents to the foreign critic and , by the same token , to a type of film theory inspired mostly by French sources ...
... films which has as yet to reach a certain level of theoretical self - consciousness . The challenge recent German cinema presents to the foreign critic and , by the same token , to a type of film theory inspired mostly by French sources ...
Síða 55
... theory and analysis . Finally , Kluge's cinema offers a different conception of the relationship between theory and practice , both in the films themselves and with regard to the cinema's function within the public sphere . The ...
... theory and analysis . Finally , Kluge's cinema offers a different conception of the relationship between theory and practice , both in the films themselves and with regard to the cinema's function within the public sphere . The ...
Síða 36
... film theory , and feminist film theory in particular . First , the film treads familiar territory in its designation of man as " bearer of the look , " woman as object of the look . The authority of the male gaze in Lili Marleen is by ...
... film theory , and feminist film theory in particular . First , the film treads familiar territory in its designation of man as " bearer of the look , " woman as object of the look . The authority of the male gaze in Lili Marleen is by ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing