Discourse, Útgáfur 5-8 |
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Síða 24
difficulty in weighing the effects of resistance and counterinvestments , as evidenced by the film's reception ... films such as Oshima's In the Realm of the Senses , Cavani's The Night Porter , Pasolini's Salò or to a lesser ...
difficulty in weighing the effects of resistance and counterinvestments , as evidenced by the film's reception ... films such as Oshima's In the Realm of the Senses , Cavani's The Night Porter , Pasolini's Salò or to a lesser ...
Síða 32
... film's characters and inaccessible within the film text . In this guise of omniscience , the narrator quickly becomes the favored replacement for the viewer in search of identification . The narrator , in his display of wit and wisdom ...
... film's characters and inaccessible within the film text . In this guise of omniscience , the narrator quickly becomes the favored replacement for the viewer in search of identification . The narrator , in his display of wit and wisdom ...
Síða 94
demanded of films , independent and avant - garde films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in ...
demanded of films , independent and avant - garde films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing