Discourse, Útgáfur 5-8 |
From inside the book
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Síða 24
difficulty in weighing the effects of resistance and counterinvestments , as evidenced by the film's reception ... films such as Oshima's In the Realm of the Senses , Cavani's The Night Porter , Pasolini's Salò or to a lesser degree ...
difficulty in weighing the effects of resistance and counterinvestments , as evidenced by the film's reception ... films such as Oshima's In the Realm of the Senses , Cavani's The Night Porter , Pasolini's Salò or to a lesser degree ...
Síða 94
demanded of films , independent and avant - garde films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in ...
demanded of films , independent and avant - garde films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in ...
Síða 33
... film like Personal Best is " progressive " , it is only by providing a new format to a tried and true formula of the ... filmmakers who have explored the possibilities and difficulties of making films from " the woman's point - of - view ...
... film like Personal Best is " progressive " , it is only by providing a new format to a tried and true formula of the ... filmmakers who have explored the possibilities and difficulties of making films from " the woman's point - of - view ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing