Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 54
Síða 136
... figure ( as is the case with the Mensheviks in October and of the kulak in The General Line ) , it is in a way precarious . Basmanov is not reduced to his femininity , any more than Anastasia is reduced to her figure of the Good Mother ...
... figure ( as is the case with the Mensheviks in October and of the kulak in The General Line ) , it is in a way precarious . Basmanov is not reduced to his femininity , any more than Anastasia is reduced to her figure of the Good Mother ...
Síða 86
... figure on the apartment floor serves as a haunting foreshadowing of the individual found dead early in the morning ... figures in the film : the decidedly unsensual and highly cerebral Horst Mahler , the relatively subdued performance of ...
... figure on the apartment floor serves as a haunting foreshadowing of the individual found dead early in the morning ... figures in the film : the decidedly unsensual and highly cerebral Horst Mahler , the relatively subdued performance of ...
Síða 103
... figure with whom the spectator might identify this would lead inevitably to a fictional and romanesque con- ception ... figure Achternbusch draws some of his strongest comic effects ( and in this sense he is closer to the bad taste of ...
... figure with whom the spectator might identify this would lead inevitably to a fictional and romanesque con- ception ... figure Achternbusch draws some of his strongest comic effects ( and in this sense he is closer to the bad taste of ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing