Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 51
Síða 6
... feel shame , why should the viewed ? " ( Vasanti , in India Cabaret ) . Buyers and sellers are bound to one another ... feeling of being distinct ( if not superior ) from the dancers , and the desire to uplift those supposedly in need of ...
... feel shame , why should the viewed ? " ( Vasanti , in India Cabaret ) . Buyers and sellers are bound to one another ... feeling of being distinct ( if not superior ) from the dancers , and the desire to uplift those supposedly in need of ...
Síða 20
... feel them " in my bones , " as some native English speakers would say , has allowed me to indulge in the illusion ... feeling " special " when one figures among the rare 20 Discourse 8.
... feel them " in my bones , " as some native English speakers would say , has allowed me to indulge in the illusion ... feeling " special " when one figures among the rare 20 Discourse 8.
Síða 69
... feeling , even among people who knew India , that they had never entered this world . And then of course there were ... feel like a traitor — a bad image of India and all that ! It was precisely this kind of pressure that prompted WNET ...
... feeling , even among people who knew India , that they had never entered this world . And then of course there were ... feel like a traitor — a bad image of India and all that ! It was precisely this kind of pressure that prompted WNET ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
1 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing