Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 43
Síða 56
... expression , in the theoretical realm , of the status of author , of creator , explicitly claimed by Eisenstein . Or more precisely , since he calls and will , toward the end of his life , call repeat- edly for a view of creation as ...
... expression , in the theoretical realm , of the status of author , of creator , explicitly claimed by Eisenstein . Or more precisely , since he calls and will , toward the end of his life , call repeat- edly for a view of creation as ...
Síða 57
... expression , " montage of attractions , " are those which are generally bound to come up when Eisenstein is spoken of ( at the price , moreover , of a fairly constant contradiction in meaning with respect to the second of these two ...
... expression , " montage of attractions , " are those which are generally bound to come up when Eisenstein is spoken of ( at the price , moreover , of a fairly constant contradiction in meaning with respect to the second of these two ...
Síða 119
... expression and the objects filmed . But , he does not , for all that , deprive himself of producing , simultaneously , an imaginary space in which , through the fragmentation and distortion , the spectator can situate himself , in order ...
... expression and the objects filmed . But , he does not , for all that , deprive himself of producing , simultaneously , an imaginary space in which , through the fragmentation and distortion , the spectator can situate himself , in order ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing