Discourse, Útgáfur 5-8 |
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Síða 107
... existence of Fassbinder , Herzog , Syberberg ) and the Berlin School ( acknow- ledged obliquely in occasional articles on Klaus Wildenhahn , a documentarist who once taught there ) reference to Joris Ivens , Peter Nestler , articles on ...
... existence of Fassbinder , Herzog , Syberberg ) and the Berlin School ( acknow- ledged obliquely in occasional articles on Klaus Wildenhahn , a documentarist who once taught there ) reference to Joris Ivens , Peter Nestler , articles on ...
Síða 17
... existence and our needs . This is an old and primary tool of all oppressors to keep the oppressed occupied with the mas- ter's concerns . Now we hear that it is the task of black and third world women to educate white women , in the ...
... existence and our needs . This is an old and primary tool of all oppressors to keep the oppressed occupied with the mas- ter's concerns . Now we hear that it is the task of black and third world women to educate white women , in the ...
Síða 90
... existence and in this sense the Porteña is dependent upon the gaze : " How to live , if not through this mirror ... ? She would live - certainly but clouded , dulled , without brilliance . . . " ( BA 16 ) . " In Buenos Aires the gaze ...
... existence and in this sense the Porteña is dependent upon the gaze : " How to live , if not through this mirror ... ? She would live - certainly but clouded , dulled , without brilliance . . . " ( BA 16 ) . " In Buenos Aires the gaze ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing