Discourse, Útgáfur 5-8 |
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Síða 31
... discourse' and a matrix for risk discourse and its most important parameters. We have also offered an in-depth mapping of risk and responsibility and we have shown how an under- standing of discourse about risk and risk scenarios needs ...
... discourse' and a matrix for risk discourse and its most important parameters. We have also offered an in-depth mapping of risk and responsibility and we have shown how an under- standing of discourse about risk and risk scenarios needs ...
Síða 34
... discourse,wherereport assumes absolute accuracy, and representation implies “a mismatch between the lexis, deixis and grammar of the anterior and posterior discourses” (Short 2012: 19). In other words, a representation can change the ...
... discourse,wherereport assumes absolute accuracy, and representation implies “a mismatch between the lexis, deixis and grammar of the anterior and posterior discourses” (Short 2012: 19). In other words, a representation can change the ...
Síða 341
Theoretical foundations and descriptive applications Alexander Ziem. – Basic discourse-semantic figures organize other textual content elements and can govern their occurrence at particular points in the discourse. – Finally, basic ...
Theoretical foundations and descriptive applications Alexander Ziem. – Basic discourse-semantic figures organize other textual content elements and can govern their occurrence at particular points in the discourse. – Finally, basic ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing