Discourse, Útgáfur 5-8 |
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Síða 12
... discourse . All currently dominant discourses , right or left - all , that is , which are congruent with an existing social order- make sexual difference an implicit deciding factor for admittance to their fellowships . Women enter ...
... discourse . All currently dominant discourses , right or left - all , that is , which are congruent with an existing social order- make sexual difference an implicit deciding factor for admittance to their fellowships . Women enter ...
Síða 28
... discourses , and insists upon the scrupulous observance of its own rules . Thus Till not only removes Anne - Marie from the commune , but ulti- mately wrests her away from the discourse of feminism ; she sits unhap- pily but quietly as ...
... discourses , and insists upon the scrupulous observance of its own rules . Thus Till not only removes Anne - Marie from the commune , but ulti- mately wrests her away from the discourse of feminism ; she sits unhap- pily but quietly as ...
Síða 54
... discourse and articulation of subject positions . Thus they demand a space , both in film theory and criticism , for the dimensions of history , memory , and experience , discourses in the combat zone between public and private realms ...
... discourse and articulation of subject positions . Thus they demand a space , both in film theory and criticism , for the dimensions of history , memory , and experience , discourses in the combat zone between public and private realms ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing