Discourse, Útgáfur 5-8 |
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Síða 8
... diegesis'.17 'Diegesis' is a term which originally comes from narratology and film theory. According to Felluga, it describes a narrative's time-space continuum, to borrow a term from Star Trek. The diegesis of a narrative is its entire ...
... diegesis'.17 'Diegesis' is a term which originally comes from narratology and film theory. According to Felluga, it describes a narrative's time-space continuum, to borrow a term from Star Trek. The diegesis of a narrative is its entire ...
Síða 30
... diegesis ' ( the ancient Greek word for ' recounted story ' ) " ( Bordwell 21986 , p . 84 ) ; the following words need to be inserted between " film's " and " diegesis ” : “ “ diégèse ' , a French word derived from " . In the sentence ...
... diegesis ' ( the ancient Greek word for ' recounted story ' ) " ( Bordwell 21986 , p . 84 ) ; the following words need to be inserted between " film's " and " diegesis ” : “ “ diégèse ' , a French word derived from " . In the sentence ...
Síða 105
... diegesis - The diegesis is the total world of the fabula its spatio - temporal frame of ref- erence , its furnishings , and the characters that dwell and act within it . - David Bordwell ' As we have seen ... diegesis 105 The diegesis.
... diegesis - The diegesis is the total world of the fabula its spatio - temporal frame of ref- erence , its furnishings , and the characters that dwell and act within it . - David Bordwell ' As we have seen ... diegesis 105 The diegesis.
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing