Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 36
Síða 42
... Diegesis and referent , or the question of the relationships be- tween film and reality . As defined by Souriau in the late forties , and much elaborated by such scholars as Dominique Château , 1 the con- cept of diegesis involves the ...
... Diegesis and referent , or the question of the relationships be- tween film and reality . As defined by Souriau in the late forties , and much elaborated by such scholars as Dominique Château , 1 the con- cept of diegesis involves the ...
Síða 48
... diegesis and the enunciation . Of course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all ...
... diegesis and the enunciation . Of course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all ...
Síða 105
... diegetic functions have done more than any other ' deconstructive ' counter- strategy to challenge the traditional identification of diegesis with narrative , and narrative with a linear deployment of binary oppositions . The strategy ...
... diegetic functions have done more than any other ' deconstructive ' counter- strategy to challenge the traditional identification of diegesis with narrative , and narrative with a linear deployment of binary oppositions . The strategy ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing