Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 74
Síða 33
... desire.23 But a third possibility is posed in the film , questioning the first two : the possibility of a different temporality , another time of desire . " What about my time , " shouts Milena in a context where time stands for desire ...
... desire.23 But a third possibility is posed in the film , questioning the first two : the possibility of a different temporality , another time of desire . " What about my time , " shouts Milena in a context where time stands for desire ...
Síða 98
... desire . Apart from this desire , nothing turns into an image.10 In this emphasis on the image , and its relation to desire , a desire strong enough and specific enough to express itself as an overt identification with the dead mother ...
... desire . Apart from this desire , nothing turns into an image.10 In this emphasis on the image , and its relation to desire , a desire strong enough and specific enough to express itself as an overt identification with the dead mother ...
Síða 34
... desire ; but an area which has been less discussed is the desire of feminist criticism . If feminist film criticism is an engagement with texts , it is also an engagement with the myths that surround them . The polari- ties of critique ...
... desire ; but an area which has been less discussed is the desire of feminist criticism . If feminist film criticism is an engagement with texts , it is also an engagement with the myths that surround them . The polari- ties of critique ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing