Discourse, Útgáfur 5-8 |
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Síða 46
... Critique , No. 16 ( Winter 1979 ) , p . 34 . 16. See the materials presented in New German Critique , No. 13 , as well as the summary of the frauen and film critiques of Kluge quoted and summarized in Dawson's Alexander Kluge . 17 ...
... Critique , No. 16 ( Winter 1979 ) , p . 34 . 16. See the materials presented in New German Critique , No. 13 , as well as the summary of the frauen and film critiques of Kluge quoted and summarized in Dawson's Alexander Kluge . 17 ...
Síða 34
... critique of it . When feminist critics raise the question of critique and celebra- tion à propos of a filmmaker like Godard , one of the most persis- tent myths in film history and film theory shapes the very way in which the question ...
... critique of it . When feminist critics raise the question of critique and celebra- tion à propos of a filmmaker like Godard , one of the most persis- tent myths in film history and film theory shapes the very way in which the question ...
Síða 35
... critique " or " celebration " are inadequate , the ambivalence itself needs to be interrogated . " Fassbinder's 1980 film Lili Marleen is a striking example of the implications of the polarities of critique and celebration for feminist ...
... critique " or " celebration " are inadequate , the ambivalence itself needs to be interrogated . " Fassbinder's 1980 film Lili Marleen is a striking example of the implications of the polarities of critique and celebration for feminist ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing