Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 59
Síða 43
... context of feminist writing and filmmaking in part because this context is itself inscribed , by Sander , within the film . The anti - feminism of the Kluge film can be discerned , just as plainly , from its exclusions of similar ...
... context of feminist writing and filmmaking in part because this context is itself inscribed , by Sander , within the film . The anti - feminism of the Kluge film can be discerned , just as plainly , from its exclusions of similar ...
Síða 7
... contexts whose effect is to displace their accepted meanings , to expand or to change them ; a difference in ... context . However , if one takes the example of a title as simple as Roland Barthes's " Alors la Chine ? " one can ...
... contexts whose effect is to displace their accepted meanings , to expand or to change them ; a difference in ... context . However , if one takes the example of a title as simple as Roland Barthes's " Alors la Chine ? " one can ...
Síða 8
... context of woman speech , silence therefore has many faces . Like the veiling of women mentioned earlier , silence can only be subversive when it frees itself from the male- defined context of Absence , Lack , and Fear ( as Feminine Es ...
... context of woman speech , silence therefore has many faces . Like the veiling of women mentioned earlier , silence can only be subversive when it frees itself from the male- defined context of Absence , Lack , and Fear ( as Feminine Es ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing