Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 80
Síða 86
... body as a form of inscription , presenting it as a -commodity : audiences are allowed a voyeuristic look at the private life of a recognized - public figure ; - weapon : the body becomes an instrument of dominance and submission ...
... body as a form of inscription , presenting it as a -commodity : audiences are allowed a voyeuristic look at the private life of a recognized - public figure ; - weapon : the body becomes an instrument of dominance and submission ...
Síða 52
... body only takes place metonymically ; seen from the back , no ges- ture of the head can be ' synchronous ' per se ( and here again , an important secondary factor plays its part in our correct attribution of a voice to a body , namely ...
... body only takes place metonymically ; seen from the back , no ges- ture of the head can be ' synchronous ' per se ( and here again , an important secondary factor plays its part in our correct attribution of a voice to a body , namely ...
Síða 45
... body for the of the one who dominates seeks out first of all the eye other eye , the eye of the one who is dominated another risk is — run , all the more unpredictable because its causes can be fortu- itous . - Anything at all a sudden ...
... body for the of the one who dominates seeks out first of all the eye other eye , the eye of the one who is dominated another risk is — run , all the more unpredictable because its causes can be fortu- itous . - Anything at all a sudden ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing