Discourse, Útgáfur 5-8 |
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Síða 4
Introduction by Roswitha Mueller " German Avant - Garde Cinema : the Seventies , " was the title of the film conference held in April 1982 at the ... avant - garde theories , nor is the avant - garde wholly without concern for.
Introduction by Roswitha Mueller " German Avant - Garde Cinema : the Seventies , " was the title of the film conference held in April 1982 at the ... avant - garde theories , nor is the avant - garde wholly without concern for.
Síða 5
... avant - garde on the one hand and a formalist avant - garde derived from the fine arts on the other , no longer works for the seventies . We are , at this time , dealing with an avant - garde that must be gauged on a sliding scale ...
... avant - garde on the one hand and a formalist avant - garde derived from the fine arts on the other , no longer works for the seventies . We are , at this time , dealing with an avant - garde that must be gauged on a sliding scale ...
Síða 8
... avant - garde . At the same time this position is wholly compatible with my earlier description of the German avant- garde of the seventies in terms of Kaja Silverman's concept of " discur- sive adaptability . " Expanding the limits ...
... avant - garde . At the same time this position is wholly compatible with my earlier description of the German avant- garde of the seventies in terms of Kaja Silverman's concept of " discur- sive adaptability . " Expanding the limits ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing