Discourse, Útgáfur 5-8 |
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Síða 11
... subjective factor " in any perception , recollection , or account . It also shows that factor to be an effect of discourse . Sander's film refracts a particular construction of history - an SDS construction - through the discourses of ...
... subjective factor " in any perception , recollection , or account . It also shows that factor to be an effect of discourse . Sander's film refracts a particular construction of history - an SDS construction - through the discourses of ...
Síða 12
... factor for admittance to their fellowships . Women enter these fellowships ... subjective and illusory . Together these three mechanisms - discursive ... Subjective Factor challenges all three mechanisms for effecting closure and ...
... factor for admittance to their fellowships . Women enter these fellowships ... subjective and illusory . Together these three mechanisms - discursive ... Subjective Factor challenges all three mechanisms for effecting closure and ...
Síða 15
... Subjective Factor , on the other hand , is female , and closely identified with the point of view which structures ... Subjective Factor's third - person voice speaks " over " the images and sounds of an earlier period , it is not ...
... Subjective Factor , on the other hand , is female , and closely identified with the point of view which structures ... Subjective Factor's third - person voice speaks " over " the images and sounds of an earlier period , it is not ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing