Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 88
Síða 55
... LILI" BECAME THEIRS WHEN THEY DEFEATED GERMANS eedom . . . American Style QUAKER STATE MOTOR OIL. The true StOrjf of Lili Marlene is told in a new British Crown Unit film with blonde Pat Hughes (above) as Lala Andersen, a Swedish ...
... LILI" BECAME THEIRS WHEN THEY DEFEATED GERMANS eedom . . . American Style QUAKER STATE MOTOR OIL. The true StOrjf of Lili Marlene is told in a new British Crown Unit film with blonde Pat Hughes (above) as Lala Andersen, a Swedish ...
Síða
... Lili Marleen Wie einst, Lili Marleen. Unsere beiden Schatten Sah'n wie einer aus Daß wir so lieb uns hatten Das sah man gleich daraus Und alle Leute soll'n es seh'n Wenn wir bei der Laterne steh'n Wie einst Lili Marleen. Wie einst, Lili ...
... Lili Marleen Wie einst, Lili Marleen. Unsere beiden Schatten Sah'n wie einer aus Daß wir so lieb uns hatten Das sah man gleich daraus Und alle Leute soll'n es seh'n Wenn wir bei der Laterne steh'n Wie einst Lili Marleen. Wie einst, Lili ...
Síða 172
... films dealing with Gennan history is doubled by an even more mysterious causality , and the complexly retroactive relationship the works have on each other. It suggests that Fassbinder's notion of. 172 wie eins !? LILI MARLEEN.
... films dealing with Gennan history is doubled by an even more mysterious causality , and the complexly retroactive relationship the works have on each other. It suggests that Fassbinder's notion of. 172 wie eins !? LILI MARLEEN.
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
1 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing