Discourse, Útgáfur 5-8 |
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Niðurstöður 1 - 3 af 18
Síða 66
... Lacan , an Epilogue to a Thought , and a con- clusion . Lacan and I met while I was working with some scientists at McMaster University on how the substances that carry messages from one brain cell to another could perhaps be more fully ...
... Lacan , an Epilogue to a Thought , and a con- clusion . Lacan and I met while I was working with some scientists at McMaster University on how the substances that carry messages from one brain cell to another could perhaps be more fully ...
Síða 68
... Lacan that his first person pronoun is often confused and quite confusing . When he spoke , he didn't take too objective a distance from what he said . He spoke quite clearly as a polemicist . In order to appreciate the conversation ...
... Lacan that his first person pronoun is often confused and quite confusing . When he spoke , he didn't take too objective a distance from what he said . He spoke quite clearly as a polemicist . In order to appreciate the conversation ...
Síða 75
... Lacan says that I am trying to test out my own remorse ; to substitute other feelings for my guilt ; I cry because I haven't come to terms with the necessary disjunctures that make my integration into society possible . I can cry in the ...
... Lacan says that I am trying to test out my own remorse ; to substitute other feelings for my guilt ; I cry because I haven't come to terms with the necessary disjunctures that make my integration into society possible . I can cry in the ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing