Discourse, Útgáfur 5-8 |
From inside the book
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Síða 6
... Kluge's styles in The All - Round Reduced Personality - Redupers and Part - Time Work of a Domestic Slave respec- tively . While certain similarities immediately catch the viewer's eye- both use distancing devices such as voice - over ...
... Kluge's styles in The All - Round Reduced Personality - Redupers and Part - Time Work of a Domestic Slave respec- tively . While certain similarities immediately catch the viewer's eye- both use distancing devices such as voice - over ...
Síða 36
In interviews , Kluge himself has denied that the humor ridicules or demeans the character , indeed denies that Roswitha's actions are necessarily intended as comedic . Instead , Kluge offers a different view of the female characters ...
In interviews , Kluge himself has denied that the humor ridicules or demeans the character , indeed denies that Roswitha's actions are necessarily intended as comedic . Instead , Kluge offers a different view of the female characters ...
Síða 72
... Kluge's own The Patriot . 11. Negt / Kluge , Offentlichkeit und Erfahrung : Zur Organisationsanalyse von bürgerlicher und proletarischer Offentlichkeit ( Frankfurt / M .: Suhrkamp , 1972 ) . For a first English summary of this book ...
... Kluge's own The Patriot . 11. Negt / Kluge , Offentlichkeit und Erfahrung : Zur Organisationsanalyse von bürgerlicher und proletarischer Offentlichkeit ( Frankfurt / M .: Suhrkamp , 1972 ) . For a first English summary of this book ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing