Discourse, Útgáfur 5-8 |
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Síða 65
... India ? Mira : I don't know whether my experience in showing the film in Hyderabad can be considered the definitive experience of showing the film in India . It was a complicated experience where so many people from different factions of ...
... India ? Mira : I don't know whether my experience in showing the film in Hyderabad can be considered the definitive experience of showing the film in India . It was a complicated experience where so many people from different factions of ...
Síða 69
... India Cabaret are located very specifically within Indian culture , they also could be survivors anywhere in the world . Even in Japan which is a very polite , understated , ritualized society , the response to the film was enormous ...
... India Cabaret are located very specifically within Indian culture , they also could be survivors anywhere in the world . Even in Japan which is a very polite , understated , ritualized society , the response to the film was enormous ...
Síða 70
... India of panoramic beauty , epic tales of a romanticized empire , nor is it the palatable tale of the long - suffering poor . Nair's India is about change ; it is about contemporary confusion in a land that is confusing even to an Indian ...
... India of panoramic beauty , epic tales of a romanticized empire , nor is it the palatable tale of the long - suffering poor . Nair's India is about change ; it is about contemporary confusion in a land that is confusing even to an Indian ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing