Discourse, Útgáfur 5-8 |
From inside the book
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Síða 37
... Helke Sander , whose film quotes the words of Christa Wolf , that is requisite . Helke Sander's The All - Around Reduced Personality -- Redupers , like Kluge's film , focuses on the issues surrounding a particular period of time in a ...
... Helke Sander , whose film quotes the words of Christa Wolf , that is requisite . Helke Sander's The All - Around Reduced Personality -- Redupers , like Kluge's film , focuses on the issues surrounding a particular period of time in a ...
Síða 41
... Helke Sander and the other edi- tors of frauen und film ( then newly formed ) attacked the film , they par- ticularly cited this stupidity which had been foisted upon the character . Kluge was prone to justify the choice not to make a ...
... Helke Sander and the other edi- tors of frauen und film ( then newly formed ) attacked the film , they par- ticularly cited this stupidity which had been foisted upon the character . Kluge was prone to justify the choice not to make a ...
Síða 112
... Sander is paradoxically representing intact a certain Imaginary — that of the introspective , self - remembering ... Helke Sander addressing a student rally in Frankfurt in 1968 - an address that has survived on an audio - tape as ...
... Sander is paradoxically representing intact a certain Imaginary — that of the introspective , self - remembering ... Helke Sander addressing a student rally in Frankfurt in 1968 - an address that has survived on an audio - tape as ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing