Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 29
Síða 47
... Godard's work , and especially ( for reasons of film availability ) from Com- ment ça va ( 1976 ) and France Tour Détour Deux Enfants ( 1978 ) . Why Godard ? Certainly not because I would see him as representa- tive of a general trend ...
... Godard's work , and especially ( for reasons of film availability ) from Com- ment ça va ( 1976 ) and France Tour Détour Deux Enfants ( 1978 ) . Why Godard ? Certainly not because I would see him as representa- tive of a general trend ...
Síða 53
... Godard's . This latter would provide us with a clear cut example of a diegetic presence asserted in the absence of any direct visual indications , since Godard's presence is pervasive throughout the interviews , and a number of deictic ...
... Godard's . This latter would provide us with a clear cut example of a diegetic presence asserted in the absence of any direct visual indications , since Godard's presence is pervasive throughout the interviews , and a number of deictic ...
Síða 106
... Godard or Chris Marker , I think it equally holds for Marguerite Duras or Helke Sander . In different ways these film- makers privilege the voice , insofar as they allow it to create a diege- tic space which is neither subordinate to ...
... Godard or Chris Marker , I think it equally holds for Marguerite Duras or Helke Sander . In different ways these film- makers privilege the voice , insofar as they allow it to create a diege- tic space which is neither subordinate to ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
1 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing