Discourse, Útgáfur 5-8 |
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Síđa 94
... Film Today ' ] , the role of the close up in montage ; etc. ) 17. Pascal Bonitzer , " Voici , " Cahiers du cinéma , No. 273 , Jan. - Feb . 1977 , pp . 5-18 . 18. Jean - Pierre Oudart , " La Suture , " Cahiers du cinéma , No. 211 , April ...
... Film Today ' ] , the role of the close up in montage ; etc. ) 17. Pascal Bonitzer , " Voici , " Cahiers du cinéma , No. 273 , Jan. - Feb . 1977 , pp . 5-18 . 18. Jean - Pierre Oudart , " La Suture , " Cahiers du cinéma , No. 211 , April ...
Síđa 98
... Cahiers du cinéma , No. 232 , October 1971 , pp . 14-23 ; " Les Machines e ( x ) tatiques , " Cahiers du cinéma , No. 271 , November 1976 , pp . 22-25 ; " Voici , " Cahiers du cinéma , No. 273 , Jan. - Feb . 1977 , pp . 5-18 ...
... Cahiers du cinéma , No. 232 , October 1971 , pp . 14-23 ; " Les Machines e ( x ) tatiques , " Cahiers du cinéma , No. 271 , November 1976 , pp . 22-25 ; " Voici , " Cahiers du cinéma , No. 273 , Jan. - Feb . 1977 , pp . 5-18 ...
Síđa 138
... Cahiers du Cinéma , No. 232 , October 1971 , pp . 14- 23 . 10. " In close - up ( by way of preface ) , " 1940 , FW 1 , p . 111 ) ; " In close - up , " FW 1 , p . 263 ) ; " History of the close - up , " ( 1946 ) . In addition it would ...
... Cahiers du Cinéma , No. 232 , October 1971 , pp . 14- 23 . 10. " In close - up ( by way of preface ) , " 1940 , FW 1 , p . 111 ) ; " In close - up , " FW 1 , p . 263 ) ; " History of the close - up , " ( 1946 ) . In addition it would ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteńo position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing