Discourse, Útgáfur 5-8 |
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Síða 75
... Buenos Aires it becomes absolute . First , be- cause Buenos Aires is situated at the bottom , to the left of the heart of the planet . Next , because this distance is part of its very being . It feels distant in relation to other ...
... Buenos Aires it becomes absolute . First , be- cause Buenos Aires is situated at the bottom , to the left of the heart of the planet . Next , because this distance is part of its very being . It feels distant in relation to other ...
Síða 85
... Buenos Aires , written by Alicia Dujovne Ortiz , reflects both the formal concerns of exile and identity as well as a poetics of displacement , a move to a multicultural notion of plural identities . In this text Buenos Aires ...
... Buenos Aires , written by Alicia Dujovne Ortiz , reflects both the formal concerns of exile and identity as well as a poetics of displacement , a move to a multicultural notion of plural identities . In this text Buenos Aires ...
Síða 97
... Buenos Aires . She also shows us how Buenos Aires ( and here we may insert the post - colonial subject ) builds something piecemeal out of marginality . What first appear to be weaknesses or drawbacks become components of a survival ...
... Buenos Aires . She also shows us how Buenos Aires ( and here we may insert the post - colonial subject ) builds something piecemeal out of marginality . What first appear to be weaknesses or drawbacks become components of a survival ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing