Discourse, Útgáfur 5-8 |
From inside the book
Niðurstöður 1 - 3 af 29
Síða 127
... Anastasia on her death bed , the passage , effected among other things by the repetition of the theme of the lamps , produces one of the possible metaphors of the face of Anastasia ( in this sequence and in the entire film ) , that of ...
... Anastasia on her death bed , the passage , effected among other things by the repetition of the theme of the lamps , produces one of the possible metaphors of the face of Anastasia ( in this sequence and in the entire film ) , that of ...
Síða 130
... Anastasia , rearticulates these partial " figurations " while combining them differently , by introducing another theme ( another " image " ) , that of death , or rather , of fatal love ( Anastasia's love for Kourbsky , Ivan's love for ...
... Anastasia , rearticulates these partial " figurations " while combining them differently , by introducing another theme ( another " image " ) , that of death , or rather , of fatal love ( Anastasia's love for Kourbsky , Ivan's love for ...
Síða 139
... Anastasia's bedside is even more clearly marked in the scenario : " In shouts and fury , Ivan's wrath reaches Anastasia's ears . Anastasia wants to get up . To go to Ivan . " ( This is followed by a whole passage that does not appear in ...
... Anastasia's bedside is even more clearly marked in the scenario : " In shouts and fury , Ivan's wrath reaches Anastasia's ears . Anastasia wants to get up . To go to Ivan . " ( This is followed by a whole passage that does not appear in ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
1 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing