Discourse, Útgáfur 5-8 |
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Síða 52
... Alexander Kluge , Maximiliane Mainka , Edgar Reitz , Katja Rupé , Hans Peter Cloos , Volker Schlöndorff , Bernhard Sinkel Script : Heinrich Böll , Peter Steinbach , Peter Schubert , and the directors Camera : Michael Ballhaus , Jürgen ...
... Alexander Kluge , Maximiliane Mainka , Edgar Reitz , Katja Rupé , Hans Peter Cloos , Volker Schlöndorff , Bernhard Sinkel Script : Heinrich Böll , Peter Steinbach , Peter Schubert , and the directors Camera : Michael Ballhaus , Jürgen ...
Síða 71
... Alexander Kluge's contribution to Germany in Autumn , " NGC , Nos . 24-25 , pp . 36-56 ; the following section repeats , in revised form and with different emphasis , arguments I have developed in that essay . 6. Alexander Kluge , Die ...
... Alexander Kluge's contribution to Germany in Autumn , " NGC , Nos . 24-25 , pp . 36-56 ; the following section repeats , in revised form and with different emphasis , arguments I have developed in that essay . 6. Alexander Kluge , Die ...
Síða 89
... Alexander Kluge's Contribution to Germany in Autumn , " New German Critique , No. 24-25 ( Fall / Winter 1981-2 ) , pp . 36-56 . 32. A cartoon by Chlodwig Poth ( West Germany's counterpart of Garry Trudeau ) , bear- ing the title ...
... Alexander Kluge's Contribution to Germany in Autumn , " New German Critique , No. 24-25 ( Fall / Winter 1981-2 ) , pp . 36-56 . 32. A cartoon by Chlodwig Poth ( West Germany's counterpart of Garry Trudeau ) , bear- ing the title ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing