Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13,Útgáfa 2Indiana University Press, 1990 |
From inside the book
Niðurstöður 1 - 3 af 68
Síða 60
... spectator's subjective engagement with the filmic text is more complicated . ' Teresa de Lauretis , for example , claims that the female spectator identifies with the active and desiring male subject as well as with the passive and ...
... spectator's subjective engagement with the filmic text is more complicated . ' Teresa de Lauretis , for example , claims that the female spectator identifies with the active and desiring male subject as well as with the passive and ...
Síða 78
... spectator does not see Miriam's murder directly but rather reflected in her own glasses . They act as a mirror in which her castration becomes visible ( and by implication the castration of the female spectator by the cinematic ...
... spectator does not see Miriam's murder directly but rather reflected in her own glasses . They act as a mirror in which her castration becomes visible ( and by implication the castration of the female spectator by the cinematic ...
Síða 79
... spectators as well . In this way , the film insures that the spectatorial subject will be satisfied that it has been adequately reflected on the screen . The spectator's subjective engagement with the film guarantees the production of ...
... spectators as well . In this way , the film insures that the spectatorial subject will be satisfied that it has been adequately reflected on the screen . The spectator's subjective engagement with the film guarantees the production of ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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action aesthetic American argues articulated artists audience Auto-Destructive Art avant-garde become body Bruno Center cinema construction contemporary context critical critique culture dance desire destruction art discourse effect emotions essay example experience female feminine feminism feminist film Freud gender Graham happening Hedda Hedda Gabler Herbert Blau homosexual homosexuals and lesbians human hysteria identity ideology Indian individual interactive issues Jean-François Lyotard Kristeva language Les Samouraïs lesbians male Mary Ann Doane masculine material means modern mother mourning narrative object painting performance art play political position postmodern practice production psychoanalysis question rape reading realism relation representation represented Routledge scene semiotic sense sexual shadow Situationist International social society space spatial speak spectator story Studies suggests symbolic television theater theatrical theory tion traditional trans University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice woman women writing York