Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13,Útgáfa 2Indiana University Press, 1990 |
From inside the book
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Síða 73
... shot immediately focuses our eye on Bruno . Unlike the other figures in the shot , he stands near the center of the frame motionless and looking into the camera . He has apparently been following Guy and now watches him from the steps ...
... shot immediately focuses our eye on Bruno . Unlike the other figures in the shot , he stands near the center of the frame motionless and looking into the camera . He has apparently been following Guy and now watches him from the steps ...
Síða 75
... shot / reverse shot structure of this sequence makes him and Bruno seem interchangeable : he too belongs behind bars . Guy's doubling of Bruno culminates in the scenes of Guy's tennis match at Forrest Hills . Shots of Bruno frantically ...
... shot / reverse shot structure of this sequence makes him and Bruno seem interchangeable : he too belongs behind bars . Guy's doubling of Bruno culminates in the scenes of Guy's tennis match at Forrest Hills . Shots of Bruno frantically ...
Síða 77
... shots of the film . He pursues Bruno through the amusement park just as Bruno once pursued Miriam . More- over ... shot of the film , we see Miriam's murder reflected in her own glasses , which have fallen to the ground . Here the ...
... shots of the film . He pursues Bruno through the amusement park just as Bruno once pursued Miriam . More- over ... shot of the film , we see Miriam's murder reflected in her own glasses , which have fallen to the ground . Here the ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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