Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13,Útgáfa 2Indiana University Press, 1990 |
From inside the book
Niðurstöður 1 - 3 af 21
Síða 107
... rape , 20 in which a single man must be recognized and punished as " enemy " so that no indictment can be made of the system that sanctioned and promoted him . As so often , the film ceases to be about the woman who is raped and becomes ...
... rape , 20 in which a single man must be recognized and punished as " enemy " so that no indictment can be made of the system that sanctioned and promoted him . As so often , the film ceases to be about the woman who is raped and becomes ...
Síða 112
... rape and on the forgiveness act against such interpretations . No matter how long or how often the rape scene is repeated in a television drama , the scenes of repentance and reform are longer . And no matter how powerful the ...
... rape and on the forgiveness act against such interpretations . No matter how long or how often the rape scene is repeated in a television drama , the scenes of repentance and reform are longer . And no matter how powerful the ...
Síða 113
... rape from the point of view of the man who is not raping , the “ friend , " and to • sanction his , not the woman's , view of rape . The camera sequence during Casey's rape is exact : a closeup of Botts looking through the window / a ...
... rape from the point of view of the man who is not raping , the “ friend , " and to • sanction his , not the woman's , view of rape . The camera sequence during Casey's rape is exact : a closeup of Botts looking through the window / a ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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