Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13,Útgáfa 2Indiana University Press, 1990 |
From inside the book
Niðurstöður 1 - 3 af 62
Síða 145
... performance art has flourished since the end of the 1970s , but however widespread it may be it now attracts so little attention that a number of artists and critics have declared its demise : performance art no longer exists , they say ...
... performance art has flourished since the end of the 1970s , but however widespread it may be it now attracts so little attention that a number of artists and critics have declared its demise : performance art no longer exists , they say ...
Síða 154
... art . This is secured . What is foremost for the artist is to make a statement about her vision of the world and our ... performance art today . In place of the image of an essentially instinctual subject - that of performance art ...
... art . This is secured . What is foremost for the artist is to make a statement about her vision of the world and our ... performance art today . In place of the image of an essentially instinctual subject - that of performance art ...
Síða 159
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . 3 It is interesting to note that the notion of ...
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . 3 It is interesting to note that the notion of ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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