Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13,Útgáfa 2Indiana University Press, 1990 |
From inside the book
Niðurstöður 1 - 3 af 63
Síða 151
... performance is done essentially if not uniquely , for the artist himself / herself . If we accept this statement ( which is not so surprising since the tendency was already an issue in the theater during the early 1970s ) , then another ...
... performance is done essentially if not uniquely , for the artist himself / herself . If we accept this statement ( which is not so surprising since the tendency was already an issue in the theater during the early 1970s ) , then another ...
Síða 154
... performance art of the seventies — performance art of the nine- ties substitutes the image of a subject who refuses to eliminate tensions between the self and history and between politics and aesthetics , and who reestablishes the ...
... performance art of the seventies — performance art of the nine- ties substitutes the image of a subject who refuses to eliminate tensions between the self and history and between politics and aesthetics , and who reestablishes the ...
Síða 159
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . " It is interesting to note that the notion of ...
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . " It is interesting to note that the notion of ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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