Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13,Útgáfa 2Indiana University Press, 1990 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 55
... origins could not be effaced , so naturalistic acting made of the body a sign system that kept visible the origin of the species . Brecht's concept of Alienation rests upon the idea that a representation alienates when it allows the ...
... origins could not be effaced , so naturalistic acting made of the body a sign system that kept visible the origin of the species . Brecht's concept of Alienation rests upon the idea that a representation alienates when it allows the ...
Síða 118
... origin of presence , not at the origin of meaning . Graham's writings show that she developed a choreography theory that dance was closer to life than were other forms of theatrical imitation . ( This stance recalls Jackson Pollock's ...
... origin of presence , not at the origin of meaning . Graham's writings show that she developed a choreography theory that dance was closer to life than were other forms of theatrical imitation . ( This stance recalls Jackson Pollock's ...
Síða 136
... affinity between emotionality and musicality , we must also add , in Grossberg's words , that " the affective investment , while asignifying , is not a 12 pristine origin ( as the concept of libido might suggest 136 Discourse 13.1.
... affinity between emotionality and musicality , we must also add , in Grossberg's words , that " the affective investment , while asignifying , is not a 12 pristine origin ( as the concept of libido might suggest 136 Discourse 13.1.
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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