Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13,Útgáfa 2Indiana University Press, 1990 |
From inside the book
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Síða 59
... argues that the film encodes Hitchcock's own paranoia about Commu- nist infiltration of the American government . But despite Marty's attempt to historicize the film by locating it in the Cold War politics of the 1950s , he never ...
... argues that the film encodes Hitchcock's own paranoia about Commu- nist infiltration of the American government . But despite Marty's attempt to historicize the film by locating it in the Cold War politics of the 1950s , he never ...
Síða 124
... argues , is to obscure the line between spectator / participant . In the system of representations that has come to signify the Vietnam War , she insists , " the subject can come to recognize itself only through / as spectacle : subject ...
... argues , is to obscure the line between spectator / participant . In the system of representations that has come to signify the Vietnam War , she insists , " the subject can come to recognize itself only through / as spectacle : subject ...
Síða 155
... argues that Kristeva's and Irigaray's positions are " extreme poles apart when judged from a feminist point of view " ( 104 ) ; for Grosz , contra Moi , Irigaray is far more of a feminist . Grosz argues persuasively that Irigaray claims ...
... argues that Kristeva's and Irigaray's positions are " extreme poles apart when judged from a feminist point of view " ( 104 ) ; for Grosz , contra Moi , Irigaray is far more of a feminist . Grosz argues persuasively that Irigaray claims ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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