Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13,Útgáfa 2Indiana University Press, 1990 |
From inside the book
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Síða 74
... Bruno . In the context of his accidental meeting with Bruno , the “ A ” engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to ...
... Bruno . In the context of his accidental meeting with Bruno , the “ A ” engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to ...
Síða 75
... Bruno by triangulating them . In shot after shot , Guy's actions mimic Bruno's , thereby reducing him to Bruno's double . The crosscuts that link the two men in the film repeat formally the crisscross that links them in the plot . A shot of ...
... Bruno by triangulating them . In shot after shot , Guy's actions mimic Bruno's , thereby reducing him to Bruno's double . The crosscuts that link the two men in the film repeat formally the crisscross that links them in the plot . A shot of ...
Síða 77
... Bruno ; rather the choice is made for him . He continues to mimic Bruno's actions even in the final shots of the film . He pursues Bruno through the amusement park just as Bruno once pursued Miriam . More- over , in these shots ...
... Bruno ; rather the choice is made for him . He continues to mimic Bruno's actions even in the final shots of the film . He pursues Bruno through the amusement park just as Bruno once pursued Miriam . More- over , in these shots ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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