Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16Indiana University Press, 1993 |
From inside the book
Niðurstöður 1 - 3 af 65
Síða 54
... gender , sexuality — and feminism - by crisscrossing within a single text those genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested , horror , sci - fi , and crime are the ...
... gender , sexuality — and feminism - by crisscrossing within a single text those genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested , horror , sci - fi , and crime are the ...
Síða 57
... gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he , like her family , is figured as skilled working class / lower ...
... gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he , like her family , is figured as skilled working class / lower ...
Síða 30
... gender . They have too much and are too visible . The idle feminine lady has to be summoned by the text both to define the deviance of women workers , and to defend against the dreadful sight of what labor can do to a woman . Rigidly ...
... gender . They have too much and are too visible . The idle feminine lady has to be summoned by the text both to define the deviance of women workers , and to defend against the dreadful sight of what labor can do to a woman . Rigidly ...
Efni
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
Höfundarréttur | |
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Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva labor language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York