Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16Indiana University Press, 1993 |
From inside the book
Niðurstöður 1 - 3 af 58
Síða 91
... argues in her reading of male representations of Monroe , she " seems to represent Fate personified — the fate of a doomed woman , or else the doom wielded by a beautiful woman when dealing with men " ( 200 ) . Again , Vernant's Medusa ...
... argues in her reading of male representations of Monroe , she " seems to represent Fate personified — the fate of a doomed woman , or else the doom wielded by a beautiful woman when dealing with men " ( 200 ) . Again , Vernant's Medusa ...
Síða 128
... argues that this phantasmatic solution is accomplished not so much by occluding or minimizing history as by drastically altering its form . * History is compacted into myth through a kind of chiasmus , a double movement of ideological ...
... argues that this phantasmatic solution is accomplished not so much by occluding or minimizing history as by drastically altering its form . * History is compacted into myth through a kind of chiasmus , a double movement of ideological ...
Síða 187
... argue that cinema , from its inception , is thoroughly bourgeois ( and embryonically narrative ) ? To see early ... arguing the existence of a class formation ( or forgives the error of assuming it without proving its existence ) ...
... argue that cinema , from its inception , is thoroughly bourgeois ( and embryonically narrative ) ? To see early ... arguing the existence of a class formation ( or forgives the error of assuming it without proving its existence ) ...
Efni
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
Höfundarréttur | |
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Common terms and phrases
Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva labor language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York