Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 33,Útgáfa 3Indiana University Press, 2011 |
From inside the book
Niðurstöður 1 - 3 af 33
Síða 390
... Writing and Difference ( 1967 ) At the forefront of audiovisual experimentation since the early 1960s , Agnès Varda embraced the digital camcorder in the late 1990s , producing the film essay Les Glaneurs et la glaneuse ( The Gleaners ...
... Writing and Difference ( 1967 ) At the forefront of audiovisual experimentation since the early 1960s , Agnès Varda embraced the digital camcorder in the late 1990s , producing the film essay Les Glaneurs et la glaneuse ( The Gleaners ...
Síða 396
... writing . " In this new cinema , “ the filmmaker / author writes with his camera as a writer writes with his pen ... writing as mode of inscription , the effect of a composite marker on a writing surface . There is , finally , Kaja ...
... writing . " In this new cinema , “ the filmmaker / author writes with his camera as a writer writes with his pen ... writing as mode of inscription , the effect of a composite marker on a writing surface . There is , finally , Kaja ...
Síða 397
... writing , the latter being most closely associated with writing as inscription . But doesn't one also write by receiving ? Isn't reception another word for the passivity of all writing ? How can we disarticulate the privileged ...
... writing , the latter being most closely associated with writing as inscription . But doesn't one also write by receiving ? Isn't reception another word for the passivity of all writing ? How can we disarticulate the privileged ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York