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Síða 390
Digital Impressions : Writing Memory after Agnès Varda Domietta Torlasco I mean this is my project : to film with one hand my other hand . To enter into the horror of it . I find it extraordinary . I feel as if I am an animal ; worse ...
Digital Impressions : Writing Memory after Agnès Varda Domietta Torlasco I mean this is my project : to film with one hand my other hand . To enter into the horror of it . I find it extraordinary . I feel as if I am an animal ; worse ...
Síða 396
In this new cinema , “ the filmmaker / author writes with his camera as a writer writes with his pen , ” having at ... the treatment of cinematic writing as mode of inscription , the effect of a composite marker on a writing surface .
In this new cinema , “ the filmmaker / author writes with his camera as a writer writes with his pen , ” having at ... the treatment of cinematic writing as mode of inscription , the effect of a composite marker on a writing surface .
Síða 397
And yet , if “ receptacle " is now aligned with the surface rather than the implement , I cannot help noticing the persistence of a certain separation between reception and writing , the latter being most closely associated with writing ...
And yet , if “ receptacle " is now aligned with the surface rather than the implement , I cannot help noticing the persistence of a certain separation between reception and writing , the latter being most closely associated with writing ...
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Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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