Discourse, Bindi 33,Útgáfa 32011 |
From inside the book
Niðurstöður 1 - 3 af 22
Síða 300
... writes that stories in German newspapers of the poles ' " freakish beauty . . . of [ their ] auroras , solitude and danger . . . fostered an environmentalist sensibility that went beyond the sentimental naturalism embraced by the ...
... writes that stories in German newspapers of the poles ' " freakish beauty . . . of [ their ] auroras , solitude and danger . . . fostered an environmentalist sensibility that went beyond the sentimental naturalism embraced by the ...
Síða 346
... writes Kafka in his diary ( aphorism 5 ) .1 Becoming slightly green cannot be achieved directly - one cannot drive a car into Arkadia . His involvement with Frieda serves Georg well in his need for an indirect approach : it is she who ...
... writes Kafka in his diary ( aphorism 5 ) .1 Becoming slightly green cannot be achieved directly - one cannot drive a car into Arkadia . His involvement with Frieda serves Georg well in his need for an indirect approach : it is she who ...
Síða 396
... writes with his camera as a writer writes with his pen , " having at his disposal a language " as flexible and subtle as written language . " 16 A point of departure for the auteur theory that coalesced around the Nouvelle Vague ...
... writes with his camera as a writer writes with his pen , " having at his disposal a language " as flexible and subtle as written language . " 16 A point of departure for the auteur theory that coalesced around the Nouvelle Vague ...
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York