From inside the book
Niðurstöður 1 - 3 af 16
Síða 381
No , they talk about a woman , a visitor , someone new , an odar , other , they say , not an Armenian . Maybe they are telling secrets . No , ' cause they are talking too loud . [ 2 : 50–3 : 38 ] . ... Words shift the room around ...
No , they talk about a woman , a visitor , someone new , an odar , other , they say , not an Armenian . Maybe they are telling secrets . No , ' cause they are talking too loud . [ 2 : 50–3 : 38 ] . ... Words shift the room around ...
Síða 382
This aphasia in the face of the character of the woman marks a set of uneven but interlinked foreclosures that structure normative Armenian diasporic subjectivities . The film itself explicitly thematizes the systematic and violent way ...
This aphasia in the face of the character of the woman marks a set of uneven but interlinked foreclosures that structure normative Armenian diasporic subjectivities . The film itself explicitly thematizes the systematic and violent way ...
Síða 388
On Florence Henri and the Modern Woman , see Whitney Chadwick and Tirza True Latimer , eds . The Modern Woman Revisited : Paris Between the Wars ( New Brunswick , NJ : Rutgers University Press , 2003 ) ; Mary Louise Roberts ...
On Florence Henri and the Modern Woman , see Whitney Chadwick and Tirza True Latimer , eds . The Modern Woman Revisited : Paris Between the Wars ( New Brunswick , NJ : Rutgers University Press , 2003 ) ; Mary Louise Roberts ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Efni
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
abstraction already animal Antarctic Antarctica Antigone appears archive argues Armenian become body called camera cinema civilized claim concept Critical Culture death defined Derrida describes double early effect essay exists experience exploration face father feel figure film finally flesh forget Freud gender genocide Georg green hand horror human identity images impression International judgment Kador Kafka kind Kracauer language letter light living logic look loss lost material means memory mental Michigan mother mourning move narrative nature object offers opens original past person photograph physical play Pole politics possibility present questions quotation reality refers reflects relation ruins scene screen seems sense shot South speaks stand story Studies suggestion Theory things thought tion trans turn University Press Varda violence visible woman writing York